Unsure what sample library you happen to be working with or Anything you did to application them, but frequently legato strings will seem a tiny bit late on really rhythmic, percussive tracks and you need to bump the midi somewhat ahead in the beat to really make it audio in time.
Chose to go away it out, but still doubted it could get past the screener. The history descending piano line in the final 8 bars (?) or so felt Practically a bit as well 'hey, check out me' to my ear, but I suppose it absolutely was adequately low in the combination never to distract? This is hoping It's going to get picked up eventually!
As already said, if you're acquainted with Cubase you may perhaps too keep on with it or you will face a steep Mastering curve to obtain back to the exact same level with Yet another DAW. Cubase fourteen has a lot of bells and whistles and may even choose a bit of re-familiarisation, but not up to setting up with a unique bundle.
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I take advantage of a simple graphic processing app to that when wanted. Obviously, that needs that I've scanned my signature and initials and saved them as transparent gif files. Its value having things such as that prepared just just in case, Though you may perhaps by no means require it.
Yeah, this is really very good! I'm able to see what the screener was expressing but it is not slowing down.. Which is just the way they described it. Who knows what number of of these the screener listened to that day... it might have already been just how it came off to them in the meanwhile so That is what they wrote.
And another point about strings: a small EQ Minimize all around 2KHz may help items audio not so synth-y.
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For me, finger drumming is a means to insert the human aspect that you aren't getting with loops. I feel your recommendation to take a look at MIDI designs laid down by actual drummers helps make plenty of feeling, given that I'm a keyboard player and never a drummer.
ALL of the current DAWs are capable of Professional recordings. They will not enhance something nevertheless. When your interface is adequate (and even the reasonably priced kinds are very large spec now) then its down to recording techniques and devices.
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This Business is interested in working with artists, writers, taxi and composers with earlier knowledge with output tunes libraries
Consider performing it in levels by splitting the observe across mutliple busses ( instrument teams ) and using the most clear limiter you've ( I exploit Fabfilter Professional L2 which can be incredibly thoroughly clean ) and then take care of Every buss separately to eke out somewhat more level from Just about every group after which you can have them all feed into the grasp buss together with your closing limiter on.
Think about it like making use of layers of varnish as opposed to performing it all in one big dollop- you might end up with half a dozen limiters all shaving a little bit off but none of these accomplishing far too much major lifting and clipping. In the event your limiter has oversampling , partaking this could enable likewise.